#Watch me get emotional over my deities lmao almost teared up
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gothicaphrodite · 1 year ago
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I love all my gods equally, even if I consider myself a devotee to two of them and worshipper of the other three. They've all been great to me in their own different ways.
Aphrodite's warm embrace that makes me feel held at all times, especially when I need it most, the joy she's brought back to my life when no one and nothing else did before.
Ares' fierce support, how he always gives me strength to get to the finish line, the push I need to run that last lap so my efforts can finally pay off and then I can rest easy.
Persephone's never-wavering offer of resilience and protection, her mercy as well as ruthless justice, her refuge and promise for a better tomorrow.
Dionysus' passionate encouragement, his always standing hand-holding to free myself from all my chains, his unbreakable acceptance of me as I am even when society hates me.
But Hermes has been so fucking kind, giving and patient to me in ways I can't put into words.
Hermes and Aphrodite were the only ones who gave me gifts as soon as I asked, before I set up proper altars or did any offerings, I just had to promise I would pay them back and they immediately trusted my word and gave away their gifts to me. I'll always be grateful.
I'll never be able to thank Hermes enough.
His bright, rascal laugh, his incredible patience*, his delightful casual approach, how light-hearted he feels in a way that almost feels humble but it only makes him more godly, how attentive he is, the way he felt like a hilarious and very sweet, trusted old friend as soon as I first prayed to him.
I started my worship of him because my fiancé and I took a brief vacation and it was my first time travelling by plane, and soon after I thought I'd get a chance to work as a flight attendant, which strengthened my push to worship him. That didn't work out in the end. I've been looking for a job for 2 years, my fiancé and I really need more money.
And now I just realized I'm finally getting a chance at a good position that deals entirely with communication. I cannot see this as anything other than Hermes' answer to my prayers.
Thank you. Thank you so much.
*Not that my other gods haven't been patient to me too, but Hermes? Wow.
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liyuesbian · 3 years ago
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✧ pygmalion!au [ningguang]
notes: btw idk how commissions from museums work i just made the process up LMAO and this one's kinda angsty? i mean, it is the pygmalion greek myth so iykyk. also, i describe this figurine of ningguang here but w/o the colour... i've linked it in case any1 needs the reference. (btw, this is not set in ancient greece specifically)
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only yesterday had you been commissioned by an art gallery in the capital to create a piece for their up-and-coming collection titled desire, love and identity. yet here you are, slaving away to make the perfect image you had in your head come into fruition. your vision is exquisite once sketched on paper—you can't find any faults in it so you take the risk.
as soon as your chisel meets the marble, a feeling so invigorating dominates your body. no further references are necessary as you place your trust entirely on your hands, coarse from the labour. you find such mindless toil addicting and you work day and night, only stopping for a half-baked meal and the odd collapse into bed.
for months, love streams out of the tips of your fingers and through your sculpting tools to arrive at the stone figure. you sincerely hope the intimate emotion has been reached.
when you finish, you wipe the bead of sweat running down your forehead, rest the other palm on your hip and take slow steps backwards all while maintaining eye contact with the statue. a wave of sweet relief hits you and you fall to the floor, uncontrollably sobbing into tired hands that still grip the hammer and chisel.
it's beautiful.
you stagger, struggling to get up with your bruised knees while clumsily wiping the tears off your stained cheeks. setting the instruments aside, you lift your head to admire your handiwork up close. a woman made of stone sits elegantly atop an oriental chair, crossing her smooth, white legs over each other. her left elbow is propped on the arm of the chair while on the other side, a long smoking pipe is balanced between gloved fingers. around her lies an assortment of objects: a vase containing scrolls, a floor lamp, and a charmingly decorated folding screen.
you see, you had already thought it all out. you'd imagined ningguang's preferences for a life of luxury, her affinity for constructing and sprucing up interiors. she would be a master of the trades and a woman who likes to keep an air of mystery around her. and like how you increasingly project her to be more of a person than she ever will be, there is a creeping concern in the corner of your mind that you will lose your rationality just as quickly.
the sculpture's body is clad in a qipao with a slit that reveals alabaster skin below the waist. the dress—embellished with patterns and neat linings—hugs her figure and shows off a lean build. the extensive train and sleeves of the fabric are shaped curvaceously to mirror the flow of a waterfall. and her face. the section you strived so hard to refine. she stares at you with an imperious expression and a hint of a smirk. her gaze, so piercing, makes you avert your eyes in shyness but you find yourself gravitating back to her profile.
you muster up the courage to draw closer to your creation and unconsciously stroke her cheek with your thumb, captivated. if she were an empress, you'd be a common peasant—undeserving of setting your sights on such a goddess. you can feel your soul being sucked into eyes devoid of emotion—of anything, actually. after all, the woman sitting before you is not a person but an inanimate object.
the weeks following the completion of ningguang—which is the name you've picked up the habit of calling her—are spent in said lady's company. every minute of every day, you surround yourself with her presence as if she is your closest friend. you eat with her, tell her your troubles, even going so far as to decorate her with various types of jewellery and bringing her gifts you think she'd like.
"thank you," you whisper. "for always listening to me." in truth, you're always so immersed in your work that you forgot what conversations could feel like. though, you fear your art would never be on par with something so transcendent ever again.
you become curious, wondering what she would be like if the nymph in front of you were not just a figment of your imagination.
you perch yourself on top of ningguang's stone-cold lap and trace the contours of her visage. you inspect each crease on her lips and the minuscule crinkles in her eyes, applauding yourself for the well-crafted details. you don't know what possesses you but you close your eyes and press your lips against hers, hoping that once you open them, a living being would erupt from underneath the marble. but, of course, as soon as the light hits your retinas, ningguang is as unmoving as ever.
realising what you've just done, you drop off of her thighs and laugh anxiously. however, you could've sworn that you had felt warmth in the lips of your beloved muse.
"i've finally gone mad!" you cry aloud.
hell, you say to yourself, is it even possible to fall in love with such an... an artefact? you dismiss your glaringly obvious infatuation.
"nonsense," you mutter under your breath, sensing your heart breaking slightly. how can something so painfully humanlike also not be human at the same time? you must've caused a tremendous atrocity in your past life to have made the gods harbour a grudge against you. of all things, you'd never have guessed that a lifeless piece of art would be the object of your desire.
you can't bear to look at the handcrafted lady any longer and with an anguished face, cover her with a large cotton cloth. the plan was to wait until you could hand the statue over to the curators and try to ignore its existence until then.
for a few days, you act according to the plan, going about your daily routine but eventually, your stoic demeanour crumbles. you lock yourself in your room refusing to eat or believe that your affection would never be returned.
during the hours of sunlight, you weep under your sheets, drowning in self-inflicted sorrow. and at night, you do the same, lamenting over the loss of what could've been your true love. she would've been so perfect in your eyes, your other half, and the only one who could calm this growing turmoil!
the reality pains you. hence, you do the only thing you can do: you pray. you pray to the gods for a miracle, that the light of your life would stride into your room and pull you from the depths of despair... but she never does.
your last day "cohabitating" with the sculpture has arrived and for the first time in—what felt like—an eternity, you open the doors to your workshop. taking a deep breath, you unveil the stationary maiden.
it's still as beautiful as you remember.
you give it a sad smile, wanting to get its departure over and done with. you manoeuvre about the room to prepare the things for the movers who're due to come in a couple of hours. while you go down your little list of errands to be done, you cough and bat away the smoke—wait, the smoke? frantic, you spin around, eyes darting everywhere in search of its origin until they land on the smoking pipe you so intricately moulded for the commissioned piece.
it's strange, you don't recall colouring the statue. and how on earth is smoke coming out of the pipe? suspicious, you approach the motionless entity and almost stumble when you spot its chest rising.
oh lord! — i really must be descending into madness! you clutch your head, clawing at your hair in hysteria.
"stop, please don't hurt yourself." the sound of a low, worried voice penetrates your ears. you shut your eyes tight.
"no, the gods have cursed me! i mustn't listen to your poisonous words!" you exclaim. your state of agitation is alleviated when the woman caresses your tensed arm.
"what has happened to you? i haven't seen you lately either." the tone is more soft and more tender than you had imagined. you release your grip.
"is it really you, ningguang?" your voice cracks at the end, and the woman you sought after witnesses your features twist into an expression of longing and hope.
"yes, my darling. i dare not go anywhere else."
helplessly, you rush to cup her face to check for heat, for the blood traversing under her skin—anything that would prove that your sweetheart is truly alive and breathing. and when you do get the confirmation, you beam, trying to withhold tears born from elation.
you bend down to kiss ningguang, who is still seated on the chair, once, twice, and three times to rid your scepticism. oh, deities! she's real.
"i love you," you declare.
"i know." you watch as the same creases you'd etched on the corners of her eyes spread into a loving half-moon shape and you kiss her again.
you reach a conclusion: you couldn't give away your lover—let alone a live person—to be displayed as part of a museum exhibition so when the workers arrive, you hide your muse away in another room. you apologise profusely and spin a lie, rambling on about how you had nothing to relinquish for the piece you had prepared had been oh-so-viciously stolen by a mob of trespassers!
the movers share with you their sympathies and ask what the work of art looks like and maybe they could sort something out with the authorities. nodding, you recount—so ardently—the details of your divine maiden. you feel heat rush to your face, chuckling when you realise that you'd run your mouth for too long.
in response to this, the two labourers exchange dubious looks as they peer at the static sculpture standing in the middle of the studio—its appearance unmistakably matching your elaborate description.
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